“Battlefield 1” is my favorite shooter since “Call of Duty: Modern Warfare.” Going in the opposite historical direction than its Activision rival, “Battlefield 1” is a breath of fresh air. The archaic, old-school weaponry bring a new level of intrigue because, unlike the lasers and alien weaponry of new CoDs, these weapons existed and they are stranger than fiction. If you are the slightest bit interested in history or World War I, just the sight of these technical marvels will kickstart your imagination. On top of that, strong graphics and sound design build the immersion to unbelievable heights; never have the horrors of war been so gorgeous and unsettling to experience.
“The Infiltrator” is a 2016 crime drama starring Bryan Cranston as undercover U.S. Customs agent, Robert Mazur, who vies to take down Pablo Escobar’s drug empire. An accountant in a previous life, Mazur targets the kingpin by following and pretending to launder his dirty money. The film works on multiple levels; Cranston is a master when it comes to acting and visually there are some really strong moments, especially in the drug-fueled 1980s nightclubs. Also, I was truly surprised by how funny and humanizing John Leguizamo is as Emir Abreu, Cranston’s partner. However, there are some major flaws with “The Infiltrator” that keep it from being greater than the sum of its parts.
At just over a minute, the teaser for “Red Dead Redemption 2” brings more questions than answers, but leaves no doubt that this is Rockstar’s most beautiful game yet; the buffalo and the steam engine train stuck out particularly to me. That said, what is this game about and when does it take place?
The buzz around “Westworld” has reached critical mass and I’m another of its autonomous followers. The show is phenomenal on multiple levels; the effects and costuming are absolutely stunning and prove that a show can transition between Western and Sci-Fi genres with ease. The acting is also strong for the most part. However, I have serious concerns about the show’s pacing and characters. To be clear, the show is a magnificent spectacle, but its content does not seem to reach the same heights as its visuals.
On October 20, 2016, Nintendo made one of it’s most sound business decisions in nearly a decade. Just one month before the ten-year anniversary of the original Wii’s launch, Nintendo unveiled it’s most gimmicky yet amazing product yet. The Nintendo Switch is the first console which can be plugged into a big screen television for play at home then removed from the “dock” to be used as a portable handheld. While this concept was often hinted at through rumors surrounding the mystery console, it was incredible to actually see it in action during the three-minute reveal video this morning.
If you haven’t seen “The Night Of,” HBO’s remake of the BBC series “Criminal Justice,” go watch it now—it’s incredibly written, casted, acted, and directed. The realism of the show is so intense and believable that it brings about some level of physical anxiety and discomfort. As an empathetic writer, I truly felt for Nasir “Naz”, played by Riz Ahmed, as he is wrongly accused of murder and slowly evolves into an actual criminal while waiting in Riker’s Island without bail for his rigged, bureaucratic trial. However, in the end, its critique of American racism is undercut by the use of another character who receives the fate that seemed reserved for Naz throughout all eight hours of the story.The beginning of the series is stronger than the ending, but racism towards Muslim-Americans is ever-present.
The media frenzy around Back to the Future Day was so rabid that even a TV-recluse such as myself could not escape it. Initially, I didn’t want to admit that I’d never seen these famous popcorn flicks and being known as a film admirer made this admission even more difficult. Sadly, I had never seen these classics in their entirety—only bits and pieces when they were on cable movie channels. Two weeks ago, I finally saw seen Robert Zemeckis’ magnum opus of timeless Americana and it’s safe to say that I regret not seeing it sooner.
Like many new viewers of Sam Esmail’s “Mr. Robot” television series, I’d never heard of the USA Network’s hacker phenomenon until it ran away with multiple Golden Globes in 2015, including Best Television Series – Drama. I had read some highly positive reviews of the new series, but the name was off-putting to me and, I found out, intentionally so. The title harkens back to a different time in television and the world at large. “Mr. Robot” sounds like a Hanna-Barbera cartoon, but the dark intensity of the show unveils a deep analysis of modern societal angst.
After more than 20 hours played, “Rocket League” has proven that fast-paced, frantic action has staying power. Bite-sized bursts of play are rationed to players in 5-minute matches and the “just one more game” lure has never been stronger—some 70,000 players are consistently on PSN at all times and the game was released on July 7, 2015; arguably a lifetime for less-exciting multiplayer games. In my opinion, “Rocket League” brings something that has been sorely lacking in the modern video game pantheon, fun!
If this blog dedicated to geek culture wasn’t clear enough, I’m an admirer of video games. Since their creation, games have been questioned as a true art form. Although I’m late to the debate, I’m sure it still rages in the minds of passionate gamers and older folks that don’t quite understand the power of games. Even still, the goal of my first blog post is to show firm evidence why games are, in fact, art.