“Alien: Covenant” is not one of the worst Alien films, but it is squarely mediocre. Like the convoluted Alien franchise, “Covenant” is unnecessarily complex, filled with plot holes, and goes on various tangents for too much of its run time.
Dunkirk is one of the greatest war films ever made and easily Christopher Nolan’s best film.
Despite being dragged to the theater like many unwitting boyfriends, husbands, and parents, Disney’s live-action reimagining of its now classic animated feature “Beauty and the Beast” is nothing short of magnificent.
The 2017 Oscar Winners are live. Click here to see who brought home the awards!
“Lion” is a beautiful portrayal of an extraordinary true-to-life tragedy. Separated from his family at a young age, Saroo as played by Dev Patel, decides to journey from his adopted family in Australia to find his biological relatives in India.
Denzel Washington’s adaptation of August Wilson’s stage play “Fences” does not justify its jump to the big screen. The acting is impactful and the direction is serviceable, but the dialogue, plot, and setting does not feel like a film at all.
My and Louise’s picks for 2017 Oscar Winners. My picks are relegated with “M” and hers are relegated with “L.”
For further insight into our picks, please listen to our in-depth podcast by clicking here.
“Hidden Figures” is the most traditional film of all nine Best Picture Nominees. However, it is an excellent film despite a few minor missteps. Nearly all of the elements at play, from the writing to directing are exceptional, but the music leaves a lot to be desired.
“Moonlight” is my favorite film of the past year and, possibly, the past ten years. If not for “La La Land,” I firmly believe that “Moonlight” would have easily won the award for Best Motion Picture. “Moonlight” is a realistic, subtle, and heartbreaking look at the life of a black homosexual man, but it is also a revelatory analysis of hope, loss, triumph, and tragedy.
“Hacksaw Ridge” is the bloodiest religion propaganda film of the past decade. The reigning king, “The Passion of the Christ,” was also directed by the same “Traditionalist Catholic” who employs the subtlety of a lead brick, dull messianic characters, and buckets of gore. Mel Gibson’s latest film is head-shakingly awful and proves that he is nothing more than a hack.